THE OTHER HALF OF THE DRAWER
IN
COLOR
The same old glass, loaded with Portra.
THE OTHER HALF OF THE DRAWER
The same old glass, loaded with Portra.
01 — THE LIGHT TABLE
Not every frame wants to be black & white. These were shot on the same pre-1970 cameras, then loaded with color negative — Portra, Gold, Ektar — and read the way a color frame is meant to be read: held over a light table, grain and all. The color is the film's, not a filter's.
Six on color negative. Back to the black & white →